Tuesday, 13 December 2011
The Great Gatsby and Hope
Sunday, 11 December 2011
The Great Gatsby and money
The Great Gatsby is centred on money and wealth, despite initially seen as just a novel regarding the relationship between the protagonist Jay Gatsby and Daisy, the story is very much centred on money, who has it, who wants it and who will do anything to get it. This image reflects the materialistic views of not only the characters but American society in the 1920’s in which The Great Gatsby is set. Due to the rise in the stock market, it allowed for people from any social standing to gain access to large amounts of money in which to boost their own personal wealth, this however created a class of frivolous spenders where buying and consuming was a regular occurrence. The dollar sign clearly reflects this idea of money being central, and as the man clutches the money his facial expression is one of pleasure and excitement at holding such large amounts of money.
Money within The Great Gatsby is centred on the two terms old and new, Daisy and Tom have old money. This is reflected in there geography of where they live, living in East egg reflects there élite power of wealth. They have inherited their money and had a very wealthy upbringing. This differing from Gatsby as his money is seen as new money, this being translated to his own location in which he lives. West egg is seen the home of new money, the people who inhabit it have made their own wealth through hard work. This like Gatsby’s background which is seen as a “Rags to Riches” story, unlike Horatio Alger Gatsby can be seen to create some of his own money through the less legitimate business of bootlegging, in the selling of alcohol.
Many of the characters within the story are very money centred. Daisy wants to marry in to a good family. Instead of waiting for Gatsby like she promised she chose to marry Tom, who could provide her with the aristocratic background of wealth and power that she so desires. Myrtle can also been seen as a character striving for wealth and status, her affair with Tom is aimed to increase her social status, and allow her access to the life that she so desires. The dollar glasses in this photo could represent how both Daisy and Myrtle view the world. They see everything as an opportunity to increase their own social standing and thus power.
The way that the man is clutching the pile of money, can reflect the greed associated with The Great Gatsby. This being as many of the characters aim to create their own wealth and thus fore-fill their own personal American Dream. Gatsby displays his wealth much like the man in the photo, but in the form of his lavish parties. These are designed to gain Daisy’s attention, as Gatsby believes that if he has money and shows this to her she will return to him. This however is not the case as Daisy continues to choose Tom over Gatsby as he is seen to be the better option on paper then Gatsby.
The Horatio Alger Myth
The Street Where Originality lives: Adidas Commercial
Money can't buy happiness
Tuesday, 6 December 2011
Discover Card Commercial
This video commercial from 2010 advertising the American Discover card, America's number one cash reward credit card, is particularly interesting when the idea behind it is related back to the iconic Henry Ford, and the way he treated his workers.
He attracted a greater number of employees to his assembly line by paying them more than the average business owner and shortening their hours, all so that they could remain consumers themselves, even as they provided objects of consumption for the public through their work. This idea of allowing your employees the time and the means to become consumers, in the hope that the money you're paying them will in some way work its way back into your pocket, could be viewed on a grander scale.
Consider a country such as USA, if all Americans were to get their credit from a single source, an American company such as Discover, who offer cash back incentives for using your card within American companies; then all money earned in America would be spent in America, through American companies. In essence, they aim to cut out the middle man and strengthen their economy - this is achieved by promoting the strengths of 'All American' companies, and belittling foreign enterprise.
The advert depicts a group of foreigners in a remote cabin, running a call centre for 'USA Prime Credit', answering the phone call of an American woman. She is trying to resolve an issue and is being parcelled off, put on 'hold' and passed around a room; to then end up speaking to the very same person she started with. Her frustration is to be alleviated by trusting in Discover, as you'll 'get the help you need the first time around'.
Not only can this advert be found comical, in the very real sense that many people have experienced the annoyance of having to speak to someone about something of importance, only to find a language barrier preventing you from achieving your task; but this commercial is also subtly promoting the idea of American exceptionalism. If you go with an American company such as them, the experience is uniquely better.
People are told it 'Pays to Discover', and indeed it does pay off to use their services, but their service is primarily to provide the consumer with a means to consume even more, at a faster rate and with higher penalties. This advert sends out the message that incurring debt is a sensible decision when it is done through them. The fact it was voted one of the top 10 commercials of last year emphasises the idea that many Americans were able to relate to it, and therefore many of them view debt as a viable means to consume.
This in itself highlights the fact Americans don't seem to be overly attentive to the sheer amount they consume as a nation, and perhaps indicates a need for their overall attitude towards consumption to be reviewed.
Sunday, 4 December 2011
Levi's 501 Advert
http://www.youtube.com/watch?v=u06rDf-kUt0
The Levi’s laundry advert can be seen as one of the most iconic advertising campaigns of its time. Through the power of sex and desire Levi’s managed to alter their brand reception in to something wanted by many.
The brand Levi’s was established in 1873, the patent for the rivets which were used to strengthen the pockets of the jeans made them unique; this made the jeans a practical item. They were worn by working class as they were durable and hard wearing.
The changing of this brand identity from the practical sense to the fashionable came in the 1985, with the promotion of the stonewash jean in a tv advert featuring model Nick Kamen. The advert shows a small town in America in the 1950’s. Nick Kamen the model and actor in this advert walks into the laundrette to the backing of Marvin Gaye’s Through the Grapevine the song choice aids in the imagery of the brand being exclusive whilst creating a retro theme fitting of the time period displayed in the ad. The idea of the ‘Grapevine’ shadows that of the intensions of the advert that word of mouth will gain more interest and people will want to watch due to the hype surrounding it. The actor is modeled on the image of James Dean, a popular movie star and rebellious figure who wore blue jeans. A sense of youth is created due to the age of the model and the styling of the Ray Ban sunglasses. The jeans are highlighted due to the plain t-shirt and lack of other clothing. The advert shows the actor put stones in to the washing machine adding a sense of intrigue to the audience. Two young boys watch him do this showing that the youth aspire to be like him and want to look like him. He then continues to strip until he is just in his underwear, captivating the attention of his fellow laundrette uses. The strong use of sex appeal is used in this advert and creates the idea that you too can achieve a high level of sex appeal by wearing Levi’s jeans.